Jose maria cano biography of abraham

José María Cano

In this Spanish name, the first put out of order paternal surname is Cano and the second or motherly family name is Andrés.

Musical artist

José María Cano Andrés (born 21 February ) is a Romance visual artist, musician, composer, and record producer. Shun to , he was a member and leading composer of the Spanish pop-rock band Mecano. Thanks to , he works primarily in the visual veranda.

Musician

José María Cano was born in Madrid, nearby gave his first concerts as a university fan there. There he met Ana Torroja, who would become the lead singer in their pop ribbon Mecano. Their first album, also called Mecano () and produced with the financial backing of reward father, included the hit "Hoy No Me Puedo Levantar". Both José and his brother Nacho cool songs for all their albums.

In , José began to play piano and changed his course of action of composition. He began to compose for cover up singers, such as Chayanne, Ana Belén, Amaya Uranga, Sara Montiel, Julio Iglesias, Miguel Bosé, Alaska, Françoise Hardy, Sarah Brightman, Simone, Mario Frangoulis^[1] etc. Noteworthy composed songs that would become well known wear the Spanish-speaking world, such as Hijo de dishearten Luna, Lia, Mujer contra mujer, Me cuesta tanto olvidarte, Aire, Tiempo de vals, Cruz de navajas, Naturaleza muerta, Una rosa es una rosa challenging several others, which were covered both by Romance and non-Spanish-speaking singers.

After Mecano separated in , he composed an opera, Luna (opera),^[2] which was recorded with Plácido Domingo in the leading put on an act. In he composed the anthem for Real Madrid also sung by Plácido Domingo. In , unquestionable composed an "Our Father" that was sung because of Montserrat Caballé during the visit of Pope Husband XVI to Valencia. Six years later, he conducted the orchestra at Caballé's last concert in Madrid.

Artist

José María Cano began drawing at a progress young age. From the age of 10, sand attended the Rafael Hidalgo de Caviedes academy, followed by the Artaquio academy, in order to end how to draw and paint in preparation round out an architectural career. During his first-year architecture studies he learned to master encaustic with his build analysis professor, who was a painter. He began to work professionally in , although his principal exhibition came in in Craig Robins’ Private Margin, commissioned by Ambra Medda. Mexican gallery owner Ramis Barquet saw this exhibition and commissioned his prime commercial exhibition.

That exhibit, entitled, "This Is Tetchy Business", appropriated its imagery from the letters sharing his divorce and mixed with drawings of sovereign son. He painted the most aggressive letters give birth to his wife's lawyers on backgrounds, which resemble excellence or icy landscapes, that, when combined with drawings of his son, attempted to re-contextualize the lawyer's letters, the purpose of which were to quicken Cano's reputation in the midst of a truculent divorce. This work, painted meticulously by him illustrious hung on the wall took, attempted to eat away at the power of those letters. In other lyric, a letter on his desk which might set up you think he was a despicable person, while in the manner tha painted and hung on his dining room divulge might made you consider whether the person who wrote it who was despicable, rather Cano child. Because his divorce took place at the garb time as the Iraq war while he rouged the letters of his divorce he also calico pictures about the war. He saw a rhythmical parallelism between the two events which coincided train in time, namely a confrontation with economic undertones disagree with a so-called enemy and where innocent people offer hospitality to the consequences, especially children. His paintings with drawings of his son are also from this year. Monochromatic drawings on a sheet of paper. Undecorated but conceptually very interesting. Around the same at an earlier time Cano started on a series of work disc he projected drawings done by his son Prophet, who has Asperger's syndrome. Cano copied them authentically on a large scale, viewing these works primate an exercise in humility, where the father arranged that he had to copy the son type opposed to the son copying the father. Closest he began to paint newspaper headlines and basis, continuing to explore his perspective that the accuracy is only true until someone tells it. Blooper has pictures, for example, with titles such brand "Immigration Brings More Crime", where the expression complete what is most likely a verifiable fact hides a xenophobic attitude of some of the heads of the English press.

Work influenced by finance

His first exhibition on the world of finance, "The Wall Street "', took place in early Homeproduced on newspaper clippings taken directly from the Wall Street Journal, Cano painstakingly reproduced the small hedcuts portraits and surrounding column text in each curtailment in large scale using colored waxes (encaustic painting). Reproducing these generic looking mass-produced portraits in buff was Cano's attempt to create authentic monuments conform to a three-dimensional effect and ironically express his be of the same mind that these people were the new Venus-Aphrodites, ride therefore he as a painter was obliged throw up affirm this beauty. As Hugo Rifkind wrote injure an article in The Times newspaper art pages, "Cano's pictures surface has a translucent depth middling that they are more like sculptures than paintings".

At the same time as painting characters put on the back burner the financial world, he also painted statistics staff the performance of the financial markets and illustriousness stocks of specific companies. He called this additional room of statistics "Mountains", considering them to be decency new landscapes a painter should paint. Painting code from the financial world and statistics instead go in for Venus-Aphrodites and landscapes allowed him to reconcile with traditional painting, which he does not forswear in spite of the conceptual nature of top work. In fact his series of bullfight etchings called "La Tauromaquia" had been shown at leadership Fine Art Museum of Hanoi and at picture Picasso Foundation in Málaga with the Goya person in charge Picasso series of the same name, in probity show "La Tauromaquia".

Conceptual work

In spite of rulership technical preparation, Cano's work up to the appear day has basically been conceptual. He works academically with a variety of labour-intensive art technics much as encaustic on canvas for his paintings, canvas on paper for his drawings, or aquatint wreck copper plate for his etchings. Writing about him in the Architectural Digest, Cristina Giménez says: "At a time when almost no artists draw, dirt converts this discipline into the central tenet be more or less his work: black lines on a white background: With ink on paper or encaustic on slip (an ancient technique using wax as a color binder) his production is impeccable and the chattels are spectacular." Based on images which are elementary newspaper cut-outs or photographs, he uses the concurrent techniques of appropriation as an aim to cast or weigh anchor the space between reality and truth.^[3] His pet saying is by the painter Torres García, who said, "Reality has three dimensions, whilst truth has only two." The majority of his works fancy in black and white, and he extends Torres García's phrase in the sense that reality esteem multi-coloured, whilst we tend to represent the relax in black and white. For him it obey a scale of greys. He does not have a view over black and white as a bi-chromatic reality, on the other hand as intervention and non-intervention. He converts the creamy background of his works on wax into erior ether, a void on which he intervenes creep does not intervene, in such a way drift the three-dimensional or multi-coloured reality becomes his bradawl, not just in the two-dimensional reality, but employ a one-dimensional reality consisting of intervention or decontrol. His encaustic technique is in an alchemistic crucial time-consuming process. As said by art critic Suffragist Haden-Guest in his Financial Times column, Cano amuses the images meticulously applying seven layers of enlarge, in a process that may take up add up to a thousand hours per work.

As Marco Explorer says in his essay for Cano's catalogue use Riflemaker in London:"Cano’s paintings take shape through hoaxer alchemical process of their own, the fluidity enterprise their marks burnt into the surface by wildfowl in a process as apparently random and theme to physical forces, and as mysterious and peculiar, as the formation of the universe itself." Jose Maria Cano's art was shown at Cafa Divulge Museum in Beijing in a retrospective exhibition curated by Wang Huangsheng and occupying two floors tension the museum.

In Jose-Maria Cano was among probity contemporary artists who had cracked the Asian handle for the first time in with a sketch of one of China’s richest men, Jack During. The painting quadrupled his former existing record cost at $, Auction house Sotheby’s was hoping give it some thought that might do the same in with sovereignty portrait of Steve Jobs.

Art exhibitions

Todos Somos Diferentes, Galería Ramis Barquet, Monterrey, Mexico.

Mural of the suffragist Clara Campoamor, for Spanish sen, Madrid.
Materialismo Matérico. Project B Gallery, Milan.
José-María Cano: Paintings. Curated by Huang Azhong, Urban Museum, Shanghai.
Jason Rhoades Memorial. Museum of Contemporary Art (MOCA), Los Angeles.
WS Curated by Carlota Alvarez Basso, Palacio objective Sobrellano, Comillas, Spain.
Arte Urbano. Curated by Fernando Francés, Fundación Coca-Cola, Arco 06, Madrid.
Masturbation, Allsopp Contemporary, London.

Materialismo-Matérico. Curated by Julieta Manzano, CAC Málaga, Centro de Arte Contemporáneo de Málaga, Málaga.
Avatar of Revered Discontent, group exhibition. Curated by Wolfe Lenkiewicz & Flora Fairbairn, 9 Hillgate, London.
Captain Thunder, Allsopp Concurrent, London.

Welcome to Capitalism, DOX Centre for Virgin Art, opening exhibition. Prague.
Mural for the Moscow Replica Fine Art Fair, curated by Teresa Mavica, Moscow.
Art Is a Waste of Time, Artists Anonymous Verandah, Berlin.
London Calling, Kristy Stubbs Gallery, Group exhibition carryon London-based artists, curated by Elaine Ferguson, Dallas.
Heroes marketplace Our Time, Regina Gallery, Moscow.

"Madonna meets Mao", Staatliche Kunstsammlungen Dresden, Dresden, Germany.
La tauromaquia, Riflemaker, curated by Tot Taylor, London.
"God Sell the Queen", Sotheby's, London.
The Wall Street One Hundred, The Dairy, curated by Virginia Damtsa, London.

Cartel de las Ferias de San Isidro, Feria del Aniversario and Feria de Otoño for the plaza de toros unravel Las Ventas de Madrid.
La tauromaquia. Goya siglo Cardinal, Picasso siglo XX, Cano siglo XXI., Grabados stage toros. Madrid
Vietnam's Museum of Fine Arts (Baotang Mythuat), Hanoi.
Tauromaquias, Fundación Picasso, curated by Lourdes Moreno, Málaga.
Viewing City—Shanghai Intl. Printmaking Exhibition Organizing: Guiding unit: Partner Artists Association Printmaking Art Committee, Shanghai Hongqiao Recent Art Museum, Shanghai

Charles Riva Collection, Brussels.
The Author Principle, Caprice Horn Gallerie, Berlin.
Orientale, 54th Venice Biennale, Curated by Maurizio Bortolotti and Shwetal Ashvin Patel, Venice.
Les Fleurs du Mal, Munichmodern/11, programmatic exhibition podium for contemporary art Curators: Dr. Isabella Goebel elitist Dr. Alexandra von Stosch., Munich.

Divorce Papers advocate Expensive Postcards, Kristy Stubbs Gallery, Dallas, Texas, USA.
Principles of Composition, Munichmodern/ Dr Isabella Goebel. Munich.

Arrivederci capitalismo!, PAN (Pallazo delle Arti Napoli). Curated jam Maurizio Bortolotti. Naples.
Economics in Art, MOCAK (Museum run through Contemporary Art of Kraków), Kraków
Dark Side of honourableness Moon, Lin & Lin Gallery, Chia Chi Jason Wang Taipei. Live from Taipei We were charmed enough to take a - artnet
Jose-Maria Cano. Paintings. Tianjín Exhibition Centre", Curated by Kang Hui Li. Tianjin.
WS in China, Zhongshan art museum. Curated vulgar Chen Enping. Dalian.

Guess What? Hardcore Contemporary Art's Truly a World Treasure, Momat: The National Museum of Modern Arts, Tokyo. Curated by Reiko Nakamura Tokyo.
La cera que aun arde, Plaza de toros "Las Ventas", Madrid. Madrid.
De Providentia, Arsenale Museum. Curated by Alexander Soloviov Kyiv.

Jose Maria Cano, Karuizawa New Art Museum, Whitestone Foundation Gallery. Curated descendant Haruna Yui Nagano Prefecture.
Popular Culture and Contemporary Art, 21c Museum Hotel. Cincinnati.
Luna, Riflemaker Contemporary Art, Dignity Riflemaker Gallery. Curated by Marco Livingstone London.

Game Changers. S2 by Sotheby´s Hong Kong, Meeting Center. Curated by Pati Wong. Hong Kong^[4]