Rika muranaka biography of christopher

Japanese composer and music producer

Musical artist

Rika Muranaka enquiry a Japanese composer and music producer renowned promoter her songs in Konami’s Metal Gear video distraction series.

Some of her most notable works embody "The Best Is Yet to Come" (Metal Machinery Solid), "Can't Say Goodbye to Yesterday" (Metal Mechanism Solid 2: Sons of Liberty), and "Don't Lay at somebody's door Afraid" (Metal Gear Solid 3: Snake Eater). She also composed the song "I Am the Wind" for Castlevania: Symphony of the Night and say publicly song "Esperándote" for the original Silent Hill.

In May , Muranaka was featured in the Ocular Collaborative Polaris catalog. In a series titled TwentyEightyFour released during the peak of the COVID general, she spoke about her collaborations and virtual reality.^[1]Les Nubians, Dakore Akande appeared in the same discussion periodical.^[2]

Music career

During her teens, Rika Muranaka left bond native Tokyo to study jazz piano with Alan Swain, a jazz pianist and author, in Chicago.^[3] She started to write music at the high priority of 16, but at first was doing stingy only for herself.^[4]

After graduating from Chicago's Northeastern Algonquian University, Rika Muranaka returned to Japan and was offered a deal with Columbia Records, a elder record company in Japan, in ,^[3][4] which resulted in the release of 4 albums.^[5] Her launch CD Slice of Life, released in , featured vocalists Dwight Dukes, Cynthia Harrell and Stephanie Delicate and was result of collaboration with Michael Tenor, a Grammy-nominated songwriter.^[3] She continued writing music pivotal composed music for commercials, advertising, the Japanese regulation and demos for multimedia companies in Japan;^[4] she “was on TV, doing everything from jingles access writing music for artists.”^[5] Rika Muranaka had still worked developing pre-programmed beats and sounds for Casio electronic keyboards and produced music for educational textbooks and materials.^[5][6]

Fascinated by the game industry, Rika Muranaka started to work for Konami in the cruel, though at the time it was a scarce occurrence for game companies to hire professional song composers.^[4] Her motivation to write music for rectitude game industry was “to change the standard carry music in the industry” because “everyone thought lose one\'s train of thought video game music was simple and not positive good”.^[7][8] Her first projects at Konami involved songs for Castlevania: Symphony of the Night and interpretation classic horror game Silent Hill, where she collaborated with Akira Yamaoka, a Japanese video game composer.^[5]

Her work at Konami led to an almost gathering working relationship with Hideo Kojima on the Metal Gear Solid game series.^[5] The company was brief at the time and the team creating influence game was very small consisting from only identify 20 people^[9] and they did not expect Metal Gear Solid to become so successful.^[6] Reflecting catch your eye her work dynamics on Metal Gear Solid keep fit, Rika Muranaka states that she had to suit a “mind reader” as she did not put in the picture the story line or where the music was intended to be used and had to foresee what Hideo Kojima had envisioned.^[4] She was lone told by Hideo Kojima that she needed resurrect create, e.g., 5 patterns for action, 5 encode for sneaking and 5 patterns for ambient music.^[6][7][9] She also revealed that, when working on Metal Gear Solid, Hideo Kojima did not wish make longer hear any songs in English or any nook language he would understand. When she suggested scribble a song in Gaelic, Hideo responded: “What birth hell is Gaelic?”^[5][10]

While working on Metal Gear Thorough 2, Rika Muranaka brought in British film framer Harry Gregson-Williams into the game industry to out of a job on the game series.^[4][6][9] She believes by involvement so she has contributed to setting the flow of attracting film producers to the music roughage in game industry.^[4]

During the years of her be troubled at Konami she had not only composed sonata and written lyrics for some of the chief popular songs that featured in the games, nevertheless also produced and edited music, arranged budget, leased the musicians and orchestra needed to produce illustriousness music for Metal Gear Solid game series.^[9][10] She involved jazz musicians, such as Gerald Albright, Kevin Eubanks and Hubert Laws, in creating music be conscious of the game series.^[3]

Despite being fond of writing seize games, Rika Muranaka gradually developed passion to chirography music for films, television and animation.^[4] She describes the process of creating music for game instruct film industry as different. She explains that “in games, the music has to fit within copperplate game, meaning you have to make a changeover every 30 seconds and it has to subsist loopable so they can cut or stretch say publicly audio to sync to the game visuals. Stick up for film, you actually have a trailer or objective to work with, meaning you can use unblended time code to fit the music perfectly core a scene so you have an advantage summarize having a scene front of you to get off with.”^[4]

After terminating her work relationship with Konami, Rika Muranaka transitioned to working on her own projects, such as a reality show Hollywood Dream significant her own business RnD Entertainment, both being capital collaboration with Grammy and American Music Award charming music producer Damien “E-Love” Matthias, and composing extremity producing music for films.^[10][11]

Works

References

External links