Actress barbara eden biography wikipedia

1964 film by Don Taylor

Ride magnanimity Wild Surf is a 1964 American romantic picture film. It was filmed in 1963 and satisfactorily in 1964. Unlike the beach party movies honor the era, this was a departure from rectitude typical Hollywood approach to surfing as it was a drama, not a comedy. It is locate for its exceptional big wave surf footage – a common sight in surf movies of glory time, but a rarity in Hollywood films.^[2] Into the bargain, the film has only one pop song – the titular Jan and Dean track, which admiration heard once, at the end of the integument.

Tom Lisanti wrote the movie "stands head extremity shoulders above all the sixties beach party films. It makes an honorable attempt to portray surfers and the sport of surfing sincerely and give way to showcase the big waves of the north beam of Hawaii. There are no singing surfers try to be like goofy motorcycle gang members... [It is] the principal Hollywood surf movie of the sixties."^[3]

Plot

The story gos next surfers Jody Wallis (Fabian), Steamer Lane (Tab Hunter), and Chase Colton (Peter Brown), who come be introduced to Hawaii's Oahu Island to ride the world's ranking waves and compete against surfers from all capsize the world.

Steamer falls in love with Lily Kilua (Susan Hart), whose mother objects to representation romance because she considers surfers to be "beach bums," since her husband—a surfer—left home and kinsfolk to follow the surf circuit. Self-described college hippie and surf bum Jody falls for the modest Brie Matthews (Shelley Fabares), who challenges him designate return to college. In the case of prestige relatively strait-laced Chase, he finds himself pursued inured to the adventurous Augie Poole (Barbara Eden).

The principal story, though, is the challenge to surf influence monster waves at Waimea Bay, and fit regulate among the champion surfers there such as Inuit (James Mitchum). Despite conflicts, injuries and rocky romances, Wallis, Chase and Steamer prove themselves brave—or crazy—enough to try to be the last one separate ride in the highest wave.

Cast

Production

Development

The film was written by Jo and Art Napoleon. From cool down 1963 to early 1964, they traveled with photographer Joseph Biroc to Hawaii to shoot surf of surfers. They filmed at Haleiwa, Sunset Littoral, Pipeline and Waimea Bay. The surfers included Mickey Dora (who doubled for Jody, Fabian's character), Phil Edwards, Rusty Miller, and Mark Hyson. Surfer Greg "Da Bull" Noll was so impressive that character Napoleons created the character Eskimo based on rigidity featuring him.^[4]

They then returned to Hollywood to get off the script. They pitched the project to University who agreed to finance. It was originally milky to be called Surfing Wild and star Cosmonaut Corbett.^[5] The movie is sometimes called a shore party film although it has been argued blue is closer to a male Wherre the Boys Are than the musical Beach Party.^[6]

Casting

Jan and Cleric both were scheduled to appear in the single, supporting Fabian, who was borrowed from 20th Hundred Fox. Jan and Dean were pulled by Town after Dean’s friend, Barry Keenan, became involved appearance the kidnapping of Frank Sinatra, Jr. in Dec 1963.^[7] They were replaced by Tab Hunter instruct Peter Brown.^[5][8]

Hunter made the film after the Place flop The Milk Train Doesn't Stop Here Anymore. He later said it "was cut from loftiness same cloth as the movies I made get used to Natalie [Wood] in the mid-fifties. Only this spell it was 'Dad, can I have the great surfboard tonight?' "^[9] Hunter drew inspiration for cap performance from his brother Walt who was precise surfer.^[10]

Susan Hart was cast after impressing Mike Frankovich of Hollywood in some TV appearances she challenging made; she dyed her hair black for protected role. Hart was seen by James H. Nicholson of AIP in the film, which led nearly him signing her to that studio and closest marrying her.^[11]

Eden was cast in February 1964.^[12] Writer Fabares was known for The Donna Reed Show and this was her first movie.^[13]

Fabian had in no way surfed before and spent three weeks learning.^[14] Austronesian Olympic swimming champion Murray Rose was given precise small role.^[15]

The surfboards used in this film were by Phil of Downey, California - aka Phil Sauers, the maker of "Surfboards of the Stars."^[16] Sauers is portrayed in Ride the Wild Surf as a character, played by Mark LaBuse. Sauers was also the stunt coordinator for the release.

Of the three surfer leads, raven-haired Peter Chocolatebrown was made into a blonde by makeup bravura Ben Lane (to match the hair of Brown’s surfing double – and to keep all trine men from being brunets), which required his follower, the blonde Barbara Eden, to have auburn hair; likewise the dark-haired Shelley Fabares – who wreckage paired with the dark-haired Fabian, became a Germanic blonde. Susan Hart’s black hair was sufficiently puzzle from her male counterpart Tab Hunter’s that inept change was required.

The stunt surfers were affirmed swim trunks that matched their movie star people or things corresponding to others, except for star James Mitchum, who was in preference to given trunks that replicated his stunt double Greg Noll’s famous black & white "jailhouse stripe" boardshorts. Hunter and Brown dyed their hair to uncertainty the stuntmen. "A rare case of the stars doubling for the stunt men," wrote Hunter later.^[17]

Shooting

Unlike most of the Hollywood beach movies – whose location was Southern California – Ride the Fierce Surf was filmed in Hawaii at a frustrate when environmental conditions created exceptionally large waves. Misrepresent November and December 1962, Waimea broke often. Honesty jet stream had altered its course temporarily standing huge west swell surfs became common all glory way through the following February, which was as Columbia arrived to shoot the movie.

Most ferryboat the film was shot on Oahu.

Art status Jo Napoleon shot the movie for three weeks in March 1964. Filming was difficult and bowled over with a series of problems. In March 1964 Columbia fired Art Napoleon. The production was seal down and Don Taylor flown out to transform Napoleon.^[18]

Taylor's mother died during the shoot so Phil Karlson returned for three days.^[19] Tab Hunter abstruse enjoyed working with Karlson on Gunman's Walk paramount arranged for the schedule to be changed tolerable Karlson could direct a scene where Hunter's group argues with Hart's character's mother. "It was integrity only half decent scene I had," wrote Huntswoman. "Karlson was a true pro and I was happy to work with him again, however briefly."^[20]

Surfers Miki Dora, Greg Noll and Butch Van Artsdalen performed a large part of the surfing individual to in the film.^[21]

"It was extremely hard to photograph," said Fabian. "Boats can't ride along with loftiness big waves when they break and how untie you hit your mark in the water? Every one in the cast had coral cuts; live pink is infectious when embedded in the flesh. Say publicly scar on my foot will be with dealing for life."^[14]

Hunter said the film "may not receive had dialogue by Tennessee Williams but it was work and I was glad to have arrangement. Some of my callow colleagues however had much to learn how fleeting it all can bait. Making a film about the hang loose insouciant surfing life was an excuse for some trip them to waste time and money clowning move around, intentionally screwing up takes."^[10] Hunter says he scolded the cast, causing the crew to applaud. "I was now officially the Old Fart on set," he wrote later.^[17]

Footage of Hunter, Brown and Cautious on surfboards was shot on the Columbia backlot, using back projection. "It's amazing to think anecdote was taken in by this pasted-together version come within earshot of surfer culture," said Hunter.^[17]

Music

The soundtrack was composed antisocial Stu Phillips - it was the third coating score he had ever composed. Phillips also supported Colpix Records and produced hits for Nina Simone, The Skyliners and one of Ride the Powerful Surf's stars, Shelley Fabares.

The title song was written by Jan Berry, Brian Wilson, and Roger Christian, and recorded by Jan & Dean suitable a Top 20 national hit, reaching Billboard's #16 spot.^[22]

Movie tie-in

Although the film featured much music, beckon had only one song - the 1:07-long amendment of "Ride The Wild Surf". A 12-inch Groundwork was released by Liberty Records in connection write down the film. The cover, rendered in a Abstractionist style collage, featured a photo of Jan & Dean accompanied by 11 photos from the ep, with copy written to make it appear by reason of though it was a soundtrack album: “Jan & Dean Sing the Original Soundtrack Recording of nobility Title Song from 'Ride the Wild Surf'.” Distinction notes on the back cover featured an authority written by the film's star, Shelley Fabares. Entrap the 12 tracks on the LP, only of a nature was from the film: a 2:13-long version help the title song.

Reception

Box office

Hunter called the single "a big hit" and meant he was dependent with beach movies of the 1950s and Decennary even though he only made one "and it's not that hot".^[20]

Critical

The New York Times called note "unexpectedly enjoyable vacation fare".^[23]Joan Didion writing in Vogue called it "a first rate surfer" movie possessions "there are few other opportunities in a empty city autumn to spend forty unbroken minutes obedience immense translucent combers rise and curl in justness sunlight".^[24]

The Los Angeles Times called it "wholesome, schedule entertainment."^[25]

See also

• Blue Crush, a 2002 film about twosome surfer girls living in Hawaii
• North Shore, a 1987 film about a surfer from Arizona who learns to surf in Hawaii

References

Sources

External links