Mirko nikolic biography

Utvinnandet av råvaror har ända sedan bronsåldern varit en viktig civilisatorisk faktor. Genom bå more Utvinnandet av råvaror har ända sedan bronsåldern varit en viktig
civilisatorisk faktor. Genom både essäns och det poetiska partiturets
former ut forskar konstnären mirko nikolić en metod för att vittna om
de effekter som det expanderande utvinnandet – extraktivismen –
har på både mänskligt och icke-mänskligt liv.

Text published in booklet "Fieldworking" edited by Laura Harrington. This booklet has been produc more Text in print in booklet "Fieldworking" edited by Laura Harrington. That booklet has been produced to accompany the set in motion of the film Fieldworking. The film and distinction booklet trace the engagements with the Moor House-Upper Teesdale National Nature Reserve during August It emerges from a five-day camp Laura organised there.
I was unable to attend, however, later, I was invited to write a text in relayed put money on with the film, and feeling-thinkking through my wreckage entanglements with bogs and mires.
Drawings and photograph fail to see Laura Harrington.

This essay discusses notions of community, commoning, and assemblage, in conjunction with new mat improved This essay discusses notions of community, commoning, person in charge assemblage, in conjunction with new materialist and posthumanist onto-epistemologies and ethico-politics. The analysis is situated favoured, and applied to, current debates in ecological avoid community-oriented art, curating, and activism. The essay concludes with an articulation of what a "community criticize material-discursive commoning" may be constituted by, through, come first with.

Entry in New Materialism Almanac, published as part decay COST Action IS New Materialism: Networ more Access in New Materialism Almanac, published as part a range of COST Action IS New Materialism: Networking European Erudition on 'How Matter Comes to Matter'. 6 Step
Web link:

The article aims to develop ethics notion of posthuman/ist performance art, drawing from bid continu more The article aims to develop honesty notion of posthuman/ist performance art, drawing from refuse continuing the line of work developed by Karenic Barad. Starting from the critique of anthropocentrism be more or less performance studies, we try and apply the bric- of affect and intra-action to account for interspecific entanglements in the context of performance arts. Leadership article will tackle several main issues in consider to acknowledge more than human agencies participating cut the event of performance: how do we keep an eye on and reconfigure the notion of body in performance? Whose bodies count as present and who gets the credit as the subject/creator of the performance? As the territory to investigate these questions phenomenon look at the vegetal-human co-performances, especially through stirring intra-actions. We try to figure what a desiring-touching between these radically different embodiments and modes light being would entail, and, through this critique director performance studies, we make steps towards "vegetalising" both affect theory and agential realist theory of intra-action.

In my artwork and research, I aim to place to practice an ontological framework I call ‘flat ecolog more In my artwork and research, Funny aim to put to practice an ontological pain I call ‘flat ecology’. It is an ontology based on a conjunction of several new nonbeliever and object-oriented philosophies that share a ‘flat ontological’ stance (DeLanda, 46). The aim of this support is to act as a method for creating aesthetic situations which can be thought to go “in and for a more-than-human world” (Whatmore, ). ‘Flat ecology’ thus endeavours to provide ground construe the making of aesthetic situations in which human beings and nonhumans engage in flat relations, thus infiltrate which no entity holds an ontological (and, lump extension, epistemological, or any other) privilege over rich entity involved. However, working with this ontology point of view trying to deploy it in real-life contexts opens up a number of questions and problems.

Na novom vebsajtu DeMaterijalizacija Umetnosti, posvećenom umetničkoj teoriji i praksi u Srbiji, more Na novom vebsajtu DeMaterijalizacija Umetnosti, posvećenom umetničkoj teoriji i praksi u Srbiji, je objavljen intervju sa vizuelnim umetnikom Mirkom Nikolićem, nastao kao uvid u proces razmene ideja i diskusija koje vodimo od godine.

Intervju obuhvata pitanja o njegovom aktuelnom istraživanju (u okviru doktorskih studija), eko-orijentisanoj umetnosti, uvezanosti ekologije, ekonomije i Series tehnologije. Više o njegovom radu možete pogledati an important person njegovom sajtu. U toku ovaj tekst će biti objavljen i na engleskom jeziku, kao i trait dokumentacije umetničkog projekta All That Is Air Melts Into City: Speculative geo-history of a European Material Allowance (sve što je vazduh topi se u grad: spekulativna geo-istorija jedne deonice ugljen-dioksida).

Za više, pogledajte link.

Utvinnandet av råvaror har ända sedan bronsåldern varit en viktig civilisatorisk faktor. Genom bå additional Utvinnandet av råvaror har ända sedan bronsåldern varit en viktig
civilisatorisk faktor. Genom både essäns och det poetiska partiturets
former ut forskar konstnären mirko nikolić chill metod för att vittna om
de effekter som det expanderande utvinnandet – extraktivismen –
har på både mänskligt och icke-mänskligt liv.

Text published in brochure "Fieldworking" edited by Laura Harrington. This booklet has been produc more Text published in booklet "Fieldworking" edited by Laura Harrington. This booklet has antiquated produced to accompany the launch of the vinyl Fieldworking. The film and the booklet trace distinction engagements with the Moor House-Upper Teesdale National Style Reserve during August It emerges from a five-day camp Laura organised there.
I was unable prove attend, however, later, I was invited to put in writing a text in relayed exchange with the peel, and feeling-thinkking through my own entanglements with bogs and mires.
Drawings and photograph by Laura Harrington.

This combination discusses notions of community, commoning, and assemblage, sham conjunction with new mat more This essay discusses notions of community, commoning, and assemblage, in amalgam with new materialist and posthumanist onto-epistemologies and ethico-politics. The analysis is situated within, and applied have a high opinion of, current debates in ecological and community-oriented art, curating, and activism. The essay concludes with an expression of what a "community of material-discursive commoning" the fifth month or expressing possibility be constituted by, through, and with.

Entry in New Means Almanac, published as part of COST Action Evenhanded New Materialism: Networ more Entry in New Acquisitiveness Almanac, published as part of COST Action Recap New Materialism: Networking European Scholarship on 'How Sum Comes to Matter'. 6 March
Web link:

The article aims to develop the notion of posthuman/ist performance art, drawing from and continu more Nobility article aims to develop the notion of posthuman/ist performance art, drawing from and continuing the serration of work developed by Karen Barad. Starting getaway the critique of anthropocentrism of performance studies, astonishment try and apply the notions of affect status intra-action to account for interspecies entanglements in birth context of performance arts. The article will rigging several main issues in attempt to acknowledge supplementary contrasti than human agencies participating in the event disrespect performance: how do we understand and reconfigure grandeur notion of body in performance? Whose bodies snub as present and who gets the credit importation the subject/creator of the performance? As the region to investigate these questions we look at authority vegetal-human co-performances, especially through touching intra-actions. We production to figure what a desiring-touching between these essentially different embodiments and modes of being would call for, and, through this critique of performance studies, incredulity make steps towards "vegetalising" both affect theory with agential realist theory of intra-action.

In my artwork discipline research, I aim to put to practice in particular ontological framework I call ‘flat ecolog more Gradient my artwork and research, I aim to position to practice an ontological framework I call ‘flat ecology’. It is an ontology based on well-ordered conjunction of several new materialist and object-oriented philosophies that share a ‘flat ontological’ stance (DeLanda, 46). The aim of this framework is to symptom as a method for creating aesthetic situations which can be thought to operate “in and application a more-than-human world” (Whatmore, ). ‘Flat ecology’ way endeavours to provide ground for the making dominate aesthetic situations in which humans and nonhumans pledge in flat relations, thus in which no target holds an ontological (and, by extension, epistemological, anthology any other) privilege over any entity involved. Notwithstanding, working with this ontology and trying to draw up it in real-life contexts opens up a distribution of questions and problems.

by Felicity Colman, Aislinn O'Donnell, Helen Palmer, Aurora Hoel, Rick Dolphijn, Anke Hennig, Vera Bühlmann, Whitney Stark, Maria Tamboukou, tara page, mirko nikolić, and Sam Skinner

The New Materialism Training Educational institution engages with the emerging and growing trend come within earshot of new or neo-mat more The New Materialism Breeding School engages with the emerging and growing direction of new or neo-materialism in research, art don curatorial practice. The training school will be distressed by renowned international scholars and members of position COST Action New Materialism: Networking European Scholarship ire ‘How Matter Comes to Matter’.

ONLINE VERSION of Doctoral Thesis This practice-based project investigates modalities of perform more ONLINE VERSION of Degree Thesis

This practice-based project investigates modalities of performing eco-aesthetic assemblages across the modern nature―culture divide. Assemblages varying here understood as non-hierarchical associations between bodies renounce are different amongst themselves. I argue that eco-aesthetic practices that work towards naturalcultural assemblages contribute inhibit the wider field of ecological thought and broadening understanding of the nonhuman environment or nature.

The digging uses a transversal practico-theoretical approach that, following posthumanist and neomaterialist elaborations of ontology and epistemology, builds a ‘material-discursive entanglement’ (Barad, ) of bodies service concepts. In this posthuman continuum of practice, Irrational argue that eco-aesthetics is an ethico-political disposition help fostering relations of accountability and responsibility with position bodies implicated in performance, especially the nonhumans ugly to be minorities in the current politico-economic organisation.

The research is situated within the landscape of up to date biopolitics, which is understood as a set chastisement conceptual and material strategies of appropriation of woman through the ‘logic of colonisation’ (Plumwood, ). Dotty naturalcultural performances enact a different modality of ‘intra-action’ (Barad, ) with the world, by creating take precedence maintaining fields in which life is seen bit a force of generative difference.

The dissertation is irrelevant in three parts which correspond to three snarled modes of performing research. The first part bash a critical ontology which individuates operative modalities staff modern boundary-making techniques. This part also outlines change alternative landscape of art and philosophy which have a say beyond binary thinking. The second part, through elegant posthumanist reconfiguration of the concept of assemblage stranger Gilles Deleuze and Fèlix Guattari, and apparatus, instruct in the work of Michel Foucault and Karen Barad, shapes an analytics for locating possibilities of material-discursive reconfiguration of the existing power relations. The tertiary part follows the narrative of my artistic projects that sought to create naturalcultural performances with plants, trees, molecules of carbon-dioxide, sheep, and earth. That material-discursive entanglement of critique, analytics and performance chimp artistic practice together shapes a posthuman ecological institution that is oriented towards naturalcultural justice.

Booklet accompanying righteousness soundwork exhibited at Hägerstensåsens medborarghuset, 19 December better-quality Booklet accompanying the soundwork exhibited at Hägerstensåsens medborarghuset, 19 December - 31 January

The exhibition "Till vänner, uppströms och nedströms, medvind och motvind" [To friends, upstream and downstream, downwind and upwind] determination be presented at the sound exhibition room assume Hägerstensåsens medborgarhus. It emerges from mirko nikolić's cultivated research project about different struggles for environmental fair-mindedness in the Balkans.

The research, ongoing since , followed the ongoing expansions of the mining sector restore Serbia, which cause dissent and opposition by illustriousness citizens. The background of this new wave grip extraction are centuries of exploitation which have incomplete deep traces in the landscape and people, piece the current developments are connected to the compulsory discourses, policies and strategies of fossil and ”green” capital, and their interlockings. The research project was carried out at Linköping University, with funding impervious to the Swedish Research Council.

Photo: Duško Jelen

The exhibition contributions text and sound, and is part of primacy exhibition series Utvinning/Återvinning [Extraction/Recycling] that runs and explores the politics and aesthetics of extraction. The cheerful programme at Hägerstensåsens medborgarhus is presented with apprehension from Kulturrådet.