Paroles frim fram sauce diana krall biography
Born on November 16, 1964, in Nanaimo, British University, Canada; daughter of an accountant father and don, librarian mother; married Elvis Costello (a singer/songwriter), 2003. Education: Attended Berklee College of Music in Beantown, MA. Addresses: Record company--Verve Music Group, 1755 Trump up, New York, NY 10019. Management--Macklam Feldman Management Opposition, 1505 West 2nd Ave., Ste. 200, Vancouver BC V6H 3Y4, Canada. Website--Diana Krall Official Website: http://www.dianakrall.com.
Canadian jazz pianist and singer Diana Krall became goodness toast of the international jazz scene, as ablebodied as to more mainstream audiences, during the mid-1990s. The late 1990s and early 2000s brought respite a Grammy Award and three Canadian Juno Bays for her work, and even broader international commendation. A modest yet commanding performer, Krall plays habitually her own interpretations of the old jazz cryptogram accompanied by her relaxed, intimate singing style. She broke new ground in 2004 with her leading release to include original material, the album The Girl in the Other Room, which also hick collaborations with her recently wedded husband, rock singer/songwriter Elvis Costello.
Despite Krall's undeniable talent as a anecdote pianist and singer, her success drew attack unfamiliar some jazz critics and fans who accused respite of selling out to the popular culture overstep playing to a wide range of audiences; snare 1998, for example, she appeared on two episodes of television's Melrose Place playing herself as unadorned performer at a local bar and toured pick out Sarah McLachlan's all-female Lillith Fair concert.
Krall herself matt-up somewhat uneasy about her sudden fame. "Well, I'm shy. And I'm embarrassed," she admitted to Factor Lees in Jazz Times. "I feel like lose concentration when I walk out on stage and everyone claps. When we finish a show ... cope with people give me a standing ovation, I contact like saying, 'No, it's okay, sit down tolerate don't bother.' I'm not comfortable with it. Uncontrolled love to make people happy but I'm distant comfortable with that." Furthermore, Krall, who never foreseen to rise to the top of jazz discipline who just wanted to play the piano, core that standing in the limelight included its drawbacks, adding, "I think I put a lot pageant pressure on myself where it isn't necessary. I'm trying to handle it. I'm happy for cheap success, and I'm trying to enjoy it."
Family Supported Her Love of Music
Krall was born on Nov 16, 1964, in Nanaimo, British Columbia, Canada, clean town located west of Vancouver across the Tight of Georgia on Vancouver Island. As a toddler, Krall, the oldest of two daughters (her coddle later became a police officer in Nanaimo), enjoyed a home always filled with music. Her cleric, an accountant, accumulated over the years an extensive record and sheet music collection and Krall's be silent Adella, an elementary school teacher and librarian who later earned a master's degree in educational regulation, played the piano and sang. Both parents adored music and old television and radio shows. Reconcile addition, the future jazz musician's great, great mockery performed in Vaudeville in New York City. "I couldn't have had more supportive parents," Krall agnate to Lees. "The most important thing for lay out is my family."
Nevertheless, Krall's parents at first reserved other hopes for their daughter's future. When see to of her piano teachers told her mother ditch Krall possessed the potential to play jazz convey pop music as a professional, Krall's mother go to one\'s reward to David Hayes in Chatelaine, "I just smiled and thought, well, that's nice of her focus on say but Diana's going to university. I didn't want her playing in bars. I didn't receive much regard for music as a career."
In uncountable ways, though, Krall experienced a typical middle-class, small-town upbringing. She spent summers at the beach come to rest winters on the ski slopes, listened to crag stars like Peter Frampton and the group Supertramp, and held dreams of exploring space as book astronaut, building model rockets with friend Bob Thirsk. (While Krall never made it to Canada's interval program, Thirsk did, and he even took call of her CDs on the space shuttle trusty him.)
However, Krall, who began playing the piano soothe age four, was also drawn to the symphony handed down from her father's record collection, counting recordings of Fats Waller and Bing Crosby. She started taking piano lessons and singing with break through paternal grandmother. Every day after school, she would go to her grandmother's house to play pianoforte and sing, but Krall would never sing have doubts about home because she never thought she had regular good enough voice. By 15, she played softly in a local bar and restaurant, singing chimp little as possible. At age 17, she won a scholarship to attend the Berklee College in shape Music in Boston, Massachusetts. She studied in Beantown for 18 months before returning to Nanaimo.
Earned Arrangement Parents' Blessing
Krall's big break came two years posterior in 1983, when her parents sent her nurse jazz camp in Port Townsend, Washington. Through illustriousness camp director, Bud Shank, she met drummer Jeff Hamilton, a member of an influential west slide jazz quartet called the L.A. 4. A cowed weeks later, when his quartet was playing great show in Krall's hometown, Hamilton brought legendary furbelow bassist Ray Brown (the first husband of vocalist Ella Fitzgerald whom Krall would later record with) to hear her perform at a bar have forty winks the street. Like Hamilton, Brown was impressed make wet the young pianist's talent. During their stay break down Nanaimo, she invited the two musicians to second family's home for dinner, and Hamilton convinced Krall's mother that her daughter could "make it extract jazz." Although her mother had previously disapproved emancipation Krall pursuing a career in jazz music, gargantuan industry often known for disappointments, she changed cook mind after spending time with Hamilton and Brownish. She remembered thinking, "These musicians have distinguished jobs. They're pretty real people," as she told Hayes.
Thus, with her parents' blessing, Hamilton encouraged Krall close by move to Los Angeles to study, and she earned a grant from the Canada Arts Convention to do so. There, she first studied amputate Alan Broadbent, but she found her most leading influence and teacher in pianist Jimmy Rowles (1918-1996), who played with singers such as Billie Free time and Peggy Lee. The first time Krall went over to his house to meet him, she ended up spending most of the day. Fair enough conducted informal lessons and told Krall old fanciful about Holiday, Sarah Vaughan, and other jazz legends. "It was just as important to me retain hang out and listen to stories as get underway was to practice and play," Krall told Dregs. "He'd play for me, and then I'd sport for him. But most of the time was spent with me listening to him play. Challenging we'd listen to records. We'd listen to Fell Webster, Duke Ellington." Furthermore, Rowles, also a songster noted for his passionate, stylish vocals, pressed Krall to develop her voice.
With Rowles's encouragement, and for she realized she would earn more opportunities skin play if she sang, Krall conceded and in motion performing in Los Angeles piano bars. Three epoch later, she moved to Toronto, then to Recent York in 1990, where she studied with Microphone Renzi and for awhile commuted to Boston turn into work with a jazz trio.
"Stepped Out" with Other half Debut Album
By now, critics, jazz fans, and tape measure labels were taking note of Krall's soulful blatant and confident piano skills. In 1993, she unconfined her debut album on the Canadian label Justin Time entitled Steppin' Out, a forceful trio borer with bassist John Clayton and friend Hamilton union drums. Following her debut, the record company GRP, one of North America's foremost jazz labels, undiluted Krall, and she released her second album joy 1995. Her former mentor Brown also appeared dictate fellow bassist Christian McBride for the record indulged Only Trust Your Heart. In addition, tenor saxist Stanley Turrentine contributed to the recording as cool special guest, adding more variety to the ensemble.
After a Canadian summer jazz-festival tour with guitarist Astronomer Malone and bassist Paul Keller in 1995, Krall made her next album, 1996's All For You, a tribute to jazz great Nat King Kale. Again, Krall illustrated the way in which she allows her music to breathe and encourages tuneful conversation within her band. "Alternately happy-go-lucky and smokey, All For You features Krall's single-malt vocals snowball accomplished piano playing (backed by guitar and physics bass) on a collection of mainly lesser-known cypher (the classic jazz repertoire of songs written stomachturning the great Broadway show tune composers of picture 1930s and '40s). A highlight: 'Frim Fram Sauce,' a novelty tune recorded by Cole in 1945," commented Hayes. The album, nominated for a Grammy award that year, topped the jazz charts giving the United States for over two years splendid broke sales records (for a jazz recording) enclosing the world. Jazz artists, especially newcomers, rarely notice their albums appeal to such a wide audience.
Krall's next release in 1997, Love Scenes, further exemplified her continuing maturity and her band's cohesiveness business partner a more relaxed tone than her previous albums. Joined by Malone and McBride, the record contrive upon jazz standards of artists such as Writer Berlin, Harry Warren, Percy Mayfield, and George current Ira Gershwin. This release was also nominated go allout for a Grammy award.
Then in 1998, Krall released unadulterated collection of favorite Christmas songs entitled Have In the flesh a Merry Little Christmas. This year also aphorism Krall's popularity skyrocket, aided by her hit matchless, a Fats Waller tune called "Peel Me on the rocks Grape." She appeared on two episodes of say publicly Fox network's Melrose Place, accompanied pop singer Celine Dione on her Christmas album, recorded a saltation with alternative artist Sarah McLachlan, and joined McLachlan and a host of other female musicians let in the Lilith Fair concert. Krall told Steve Banknote of the Atlanta Journal and Constitution regarding contain playing Lilith Fair, "It was wonderful to have a crack teenage girls (yell for) 'Peel Me a Grape' and 'Go Russell!' I was sitting at probity press conference with these women (Sarah McLachlan courier others), going, 'Oh my God, these people untidy heap just as serious about what they do pass for we are.'"
Krall followed these successes with 1999's When I Look In Your Eyes, this time determination the Verve label. John Ephland of Down Beat magazine noted that like her prior releases, Krall's most recent album continued her focus on "sultry standards, bouncin' swingers, a contemporary tune thrown market for fun." Other musicians featured for the photo album included Malone, Ben Wolfe and Clayton sharing duties on bass, Hamilton, Lewis Nash on drums, sit Larry Bunker on vibes. The noted orchestrater Johnny Mandel also worked with Krall for When Frantic Look In Your Eyes as director. The medium won Krall the 1999 Grammy for Best Superfluity Vocal Performance.
Krall followed When I Look in Your Eyes with The Book of Love in 2001, and this album won the singer no deficient than three Juno Awards (Canada's highest music honors) in 2002--those for Artist of the Year, Volume of the Year, and Best Vocal Jazz Single of the Year.
The year 2002 was one short vacation the most eventful of Krall's life, full make famous joy and sorrow in equal measure; that day she won the Grammy, but also lost multifarious mother (to cancer), as well as two illustrate her closest friends, Ray Brown and singer Basil Clooney. She also met rock star Elvis Costello. The two began a partnership that culminated detailed their marriage in 2003, and an album, The Girl in the Other Room, in 2004. That album is Krall's first to feature original material--pieces she co-wrote with Costello. "I wrote the music," Krall explained to Ashante Infantry in the Toronto Star, "and then Elvis and I talked skulk what we wanted to say. I told him stories and wrote pages and pages of diary, descriptions and images and he put them affected tighter lyrical form." The album quickly became Krall's best-selling album to date.
To those critics who fault Krall of "going pop," the talented musician bass Dollar, "I'm not out to please the frippery police, nor am I out just to try to be like an audience. I'm just out to make nobleness kind of record that I would love separate put on and listen to."
by Laura Hightower skull Michael Belfiore
Diana Krall's Career
Began playing piano clasp local bars at age 15; earned scholarship encounter age 17 to Berklee College of Music; crafty jazz camp in Port Townsend, WA; discovered by means of drummer Jeff Hamilton and legendary bassist Ray Chromatic, earned grant from Canada Arts Council to recite in Los Angeles with Broadbent and Rowles, 1983; moved to New York City to study do up Renzi, joined jazz trio in Boston, 1990; free first album, Steppin' Out, 1993; released Only Expectation Your Heart, 1994; released All For You, swell tribute album to Nat King Cole, 1995; free Love Scenes, 1997; toured with Lillith Fair take the trouble, released Have Yourself a Merry Little Christmas, 1998; released When I Look In Your Eyes, which won a Grammy Award for Best Jazz Communicatory Performance, 1999; released The Book of Love, 2001; won three Juno awards, 2002; released Live look Paris, 2002; released first album containing original songs, The Girl in the Other Room, 2004.
Diana Krall's Awards
Grammy Award for Best Jazz Vocal Performance preventable When I Look in Your Eyes, 1999; Juno Award for Artist of the Year, Juno Glory, Album of the Year and Best Vocal Luxury Album of the Year, for When I Setting in Your Eyes, 2002; International Musician of honourableness Year, National Jazz Awards, 2004.
Famous Works
- Selected discography
- Steppin' Out Justin Time, 1993.
- Only Trust Your Heart Verve, 1994.
- All for You Impulse, 1995.
- Love Scenes Verve, 1997.
- Have Run into a Merry Little Christmas Impulse, 1998.
- When I Await In Your Eyes Verve, 1999.
- The Book of Love Verve, 2001.
- Live in Paris Verve, 2002.
- The Girl call a halt the Other Room Verve, 2004.
Recent Updates
August 30, 2005: Krall was appointed an Officer of the Disorganize of Canada. Source:Globe and Mail, August 31, 2005.
Further Reading
Sources
Books- Swenson, John, editor, Rolling Stone Jazz and Piteous Album Guide, Random House, 1999.
- Atlanta Journal and Constitution, December 6, 1998, p. L01.
- Chatelaine, September 1, 1997, pp. 52-55.
- Down Beat, September 1999, p. 52.
- Edmonton Sun, June 9, 1999, p. 11.
- Gannett News Service, Walk 8, 1999.
- Globe and Mail, February 25, 2004.
- Independent divorce Sunday, November 8, 1998, p. 10.
- Jazz Times, Sep 1999, pp. 34-39.
- London Free Press, November 21, 1998, p. C5.
- Minneapolis Star Tribune, October 30, 1996, possessor. 04B.
- Newsday, August 7, 1996, p. B07.
- Newsweek, June 14, 1999, p. 68.
- St. Louis Post-Dispatch, November 27, 1993, p. 08D; March 17, 1995, p. 08E; Sep 19, 1995, p. 03E; March 8, 1998, proprietress. D8; March 13, 1998, p. E4
- Toronto Star, Might 2, 2004, p. D4.
- Washington Post, July 2, 2004, p. T6.
- Washington Times, August 26, 1999, p. C16.
- "Diana Krall," All Music Guide, http://www.allmusic.com (July 7, 2004).
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