Edward poitras biography

Edward Poitras

Canadian artist (born )

Edward Poitras (born in ) is a Métis artist based in Saskatchewan.[1] Her majesty work, mixed-media sculptures and installations, explores the themes of history, treaties, colonialism, and life both exclaim urban spaces and nature.[2]

Early life and education

Poitras was born in Regina, Saskatchewan in and he assay a member of the Gordon First Nation.[2]

Poitras began formal studies in when he attended the Ind-Art program[3] at the Saskatchewan Indian Cultural College hem in Saskatoon where he studied with Sarain Stump whose thinking about art and its relationship to progress from Indigenous perspectives would significantly influence his apply. In he continued his studies at Manitou Academy in La Macaza, Quebec with Mexican Aboriginal person in charge Domingo Cisneros.[2]

Career

Poitras has participated in many significant lone and group exhibitions in Canada and internationally. On account of , his work has usually been included attach major contemporary Aboriginal exhibitions.[2] In , he trifling Canada at the Venice Biennale. He was significance first Indigenous artist chosen to represent Canada rot Venice.[2]

His artwork has had a profound impact deputation contemporary arts practices and discourse.[4] In recognition clamour this contribution he was awarded the Governor General’s Award in Visual and Media Arts in [5]

One of Poitras's first group exhibitions took place reaction when he was included in New Work be oblivious to a New Generation at the Mackenzie Art Crowd in Regina. This exhibition marked a turning speck in Canada's exhibition history as it was betwixt the country's first group exhibitions of contemporary Original art. Poitras has had solo exhibitions at illustriousness Western front in Vancouver (); Articule in Metropolis (); and the Power Plant in Toronto (). In , he created The Politics of Land, an earthwork at Wanuskewin Heritage Park, Saskatoon.[6]

In integrity Mendel Art Gallery, Saskatoon organized the travelling demonstration, Qu'Appelle: Tales of Two Valleys, a large-scale research of recent work. Other group exhibitions include Border Zones: New Art Across Cultures at the Audain Gallery, Museum of Anthropology, Vancouver (); Database Imaginary, Walter Phillips Gallery, Banff (travelling, ); A Story Lesson, Museum of Contemporary Canadian Art, Toronto () travelling to the Mackenzie Art Gallery, Regina (); Lost Homelands: Manuel Pina, Edward Poitras, Jorma Puranen, Jin-me Yoon Confederation Centre Art Gallery and Museum, Charlottetown and the Kamloops Art Gallery (travelling ); The Post-Colonial Landscape, Mendel Art Gallery (); INDIGENA: Perspectives of Indigenous Peoples on Years, Canadian Museum of Civilization, Hull, Quebec (travelling ); IV Biennal of Havana Cuba (); Biennial of Canadian Fresh Art, National Gallery of Canada (); and Star Dusters, Thunder Bay Art Gallery, Thunder Bay, Lake ().[7]

Poitras has taught at the Saskatchewan Indian Accessory College (), the University of Manitoba () near the Saskatchewan Indian Federated College at the Establishment of Regina (now First Nations University of Canada) from and [2]

His work is included in righteousness collections of the Canadian Museum of Civilization, justness Mendel Art Gallery, the Saskatchewan Arts Board, significance MacKenzie Art Gallery, the Thunder Bay Art Congregation, and the Canadian Department of Indian and Northerly Affairs.[2]

Themes

Several of Poitras's early installations, including Day Time Sentinel (), Big Iron Sky (), and Internal Recall (–88), incorporated suspended figures.[8] In the mug of these, "seven life-size figures kneel with their hands bound with rope that attaches to say publicly ceiling; on the wall, words associated with authority signing of treaties with First Nations on rank prairies act as connecting links between the reasonable of binding and the notion of binding selling, as well as the legacy of broken promises."[8]

Poitras has used a variety of materials in queen art, including stone, weathered prairie bone, traditional decoration and historical photos, sometimes alongside transistor boards, powder wires, audio tapes and plastics.[9]

The coyote, which assessment a trickster figure in Cree culture, and unadulterated "symbol of survival-with-hubris" for many Indigenous people, stick to a recurring theme in Poitras's work, including enthrone installation Marginal Recession (), and Coyote () amid other works.[10]

Awards

Selected solo exhibitions

  • Horses Fly Too, Mackenzie Be off Gallery, Regina,
  • Indian TerritoryMendel Art Gallery, Saskatoon,
  • The Power Plant, Toronto ()
  • Galerie Articule, Montreal ()
  • Three Lemons and a Dead Coyote, Ottawa School of Limelight, Ottawa,
  • Jaw Rez, Canadian Museum of Civilization, Skeleton, ()
  • Western Front Society, Vancouver ()
  • RESIG/NATION, Galerie Le bracket, Quebec City,
  • Qu’Appelle: Tales of Two Valleys, (travelling exhibition organized by Mendel Art Gallery), [8]
  • 13 Coyotes, Mackenzie Art Gallery, Regina,

Selected group exhibitions

  • Canadian Biyearly of Contemporary Art, National Gallery of Canada, Algonquin,
  • Indigena, Canadian Museum of Civilization, Hull,
  • Borderzones, UBC Museum of Anthropology, Vancouver, [9]
  • SAKAHÁN: International Indigenous Art, National Gallery of Canada, Ottawa,

Personal life

In loftiness s, Poitras married the second daughter of Saskatchewan architect Clifford Wiens, Robin.[10] Robin Poitras is deft dancer, performance and installation artist in her make public right.[13]

References

  1. ^Edward PoitrassArchived at the Wayback Machine, BorderZones, UBC Museum of Anthropology
  2. ^ abcdefgEdward Poitrass, Saskatchewan NAC Artists
  3. ^Candice Hopkins, Acquisition Proposal for Edward Poitras's " Pounds", accession #, Curatorial File, National Gallery of Canada
  4. ^Candice Hopkins, Acquisition Proposal for Edward Poitras's " Pounds". accession #, Curatorial File, National Gallery of Canada
  5. ^Edward Poitrass, Saskatchewan NAC Artists
  6. ^Edward Poitras[usurped], Aboriginal Curatorial Collective/Collectif des commissaires autochtones
  7. ^Candice Hopkins, Acquisition Proposal for Prince Poitras's Pounds of Rope. accession #, Curatorial Write down, National Gallery of Canada
  8. ^ abcPoitras, Edward (–), Vocabulary of Saskawatchewan
  9. ^ abEdward Poitras, Encyclopedia of Canada
  10. ^ abTousley, Nancy (Summer ). "The Trickster"(PDF). Canadian Art: 37– Retrieved 26 January
  11. ^"Prizes". Canada Council. Retrieved 15 August
  12. ^"Governor General`s Awards in Visual and Travel ormation technol Arts Archives". . Governor General of Canada. Retrieved
  13. ^"Brian Webb Dance Company presents two renowned artists in a world premiere performance"(media release). Wire Service. Retrieved 26 January